![]() Second to last is Santana’s best-known instrumental song: “Europa.” And though this song has been recorded live many times, this is probably the richest, most appealing version of the venerable cut, with Carlos delivering a solo that is virtually a 6-minute-long melody, and aptly demonstrating why he is so revered as a guitar player. This is just a preview Preview the embedded widget. Get the embed code Note: When you embed the widget in your site, it will match your sites styles (CSS). 1: Make Somebody Happy - Live In South America: 2: No One To Depend On: More Albums: embed </> Embed.Perazzo, especially, demonstrates why he has been Carlos’ long-time timbalero.Īlthough nothing will ever surpass the raw, drug-fueled version of “Soul Sacrifice” immortalized in the Woodstock movie, the band delivers a competent version of the song, which they’ve coupled to “Don’t Try This At Home,” a softly orchestral instrumental. Sacred Fire: Santana Live In South America Tracklist. Plus, the percussion section is particularly vibrant on this track. Next is the band’s concert staple, the instrumental “Toussaint L’Overture,” on which Carlos delivers some simple but smooth tuneful guitar work. It’s smooth R&B feel clashes with the Latin-rock flavor of the other songs. ![]() “Make Somebody Happy,” from Milagro, showcases the vocalists - especially Ligertwood - but is a little off kilter from the rest of the album. What he uses currently, as well as the history of the amps, guitars, effects, and more that he has been using throughout his career. (It was quite possibly a mistake, but sounds great.) In one of his few solo appearances, Carlos’ brother Jorge Santana takes the first half of the first solo, which he starts with a very unusual melodic phrase. The vocals are powerful, the piano parts are traditionally Latin with a slight jazzy twist, and Carlos delivers two excellent solos. This is one of those case where one of the band’s live versions is much more compelling than the original studio cut. One of the standout tracks on the album is “Guajira,” originally recorded on Santana III. And, in traditional style, he throws in melodic bits from other songs here and there. Again, Carlos plays around with the melody, and does so very engagingly throughout. Watch the Videoįollowing is one of Santana’s most beloved instrumentals: the haunting “Samba Pa Ti,” also from Abraxas. Check out the new video for this guitar and percussion-driven song by the leading Santana Tribute and Latin-rock band.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |